Film you most recently watched
Started by
Jimbo
, Aug 02 2005 07:28 PM
#12341
Posted 17 May 2012 - 08:38 PM
. . well speaking of spoilers - I didn't even know Bob's dad was white ffs !
Rasterfari .
Rasterfari .
Sittin in a sleazy snack bar
Suckin sickly sausage rolls
Suckin sickly sausage rolls
#12342
Posted 17 May 2012 - 09:51 PM
The Ides of March
Expected quite a bit from this given the 7.3 IMDB rating and with a fairly decent cast.
Ended up been a very predictable offering trying to go all West Wing.
5/10 for me.
Expected quite a bit from this given the 7.3 IMDB rating and with a fairly decent cast.
Ended up been a very predictable offering trying to go all West Wing.
5/10 for me.
#12343
Posted 18 May 2012 - 07:49 AM
Mission Impossible: Ghost Protocol - Pretty much what I was expecting. Forgettable. 6/10
'Mike Ashley doesn't know anything about football ... and Derek Llambias knows even less than him' - Kevin Keegan
#12344
Posted 19 May 2012 - 04:06 PM
The Raid. Really enjoyed it. 9/10
LOVE LIFE, LOVE THE TOON!
#12345
Posted 19 May 2012 - 04:42 PM
Super 8.
Really good sci fi thriller.
Really good sci fi thriller.
That was different. The towering inferno was a big building that caught fire. You can't apply the same criteria to a priest trapped on an explosive milkfloat.
#12346
Posted 19 May 2012 - 05:45 PM
#12347
Posted 19 May 2012 - 06:31 PM
^ fret not , found it to be an honest to goodness chunk of escapism .
Good Sunday night fayre anyway !
Good Sunday night fayre anyway !
Sittin in a sleazy snack bar
Suckin sickly sausage rolls
Suckin sickly sausage rolls
#12348
Posted 19 May 2012 - 06:34 PM
#12349
Posted 19 May 2012 - 06:50 PM
Thought it was a bit cack personally. The ending is hilariously bad.
Gator's bitches better be using jimmies!
#12350
Posted 20 May 2012 - 05:51 AM
Random Harvest.
An old, black and white, beautiful film which I'm sure not one of you have even heard of, least of all seen.
I loved it, and want to be a 1940's actress when I grow up
An old, black and white, beautiful film which I'm sure not one of you have even heard of, least of all seen.
I loved it, and want to be a 1940's actress when I grow up
Nobody knows but me..
#12351
Posted 20 May 2012 - 12:15 PM
Headhunters - 8.5/10 great movie (took me ages to realise to place your man from game of thrones in it)
So Jim, have I ever told you about the old country? The songs! Oh Jim, they'd melt your face.
"Ohh I live in a shoe on Moore Street, I'm a prostitute from Newry".


#12352
Posted 20 May 2012 - 05:59 PM
Jeff who lives at home. Poor 6/10
LOVE LIFE, LOVE THE TOON!
#12353
Posted 20 May 2012 - 09:12 PM
Saw Two Days in New York earlier......it was very funny, if a bit sappy...Julie Delpy wrote,directed and starred in it...basically its an old fashioned "farce" which she did very well..Chris Rock as the "straight man" was good too.
Had to go 30 miles to see it... I live in a conurbation of almost a quarter of a million people and its got a dozen or so picture houses but had to go to Southampton to watch it...Mrs PL was also able to indulge in credit card abuse in the swanky shopping centre nearby so it wasnt just a journey to watch a film but I cant work out why it wasnt shown round here...fair enough its not a multiplex type "blockbuster" but theres 3 or 4 arty screens round here too but none of them had it on...would it be a "first weekend" limited release thing?...
Had to go 30 miles to see it... I live in a conurbation of almost a quarter of a million people and its got a dozen or so picture houses but had to go to Southampton to watch it...Mrs PL was also able to indulge in credit card abuse in the swanky shopping centre nearby so it wasnt just a journey to watch a film but I cant work out why it wasnt shown round here...fair enough its not a multiplex type "blockbuster" but theres 3 or 4 arty screens round here too but none of them had it on...would it be a "first weekend" limited release thing?...
#12354
Posted Yesterday, 08:20 AM
Went to see Terminator 2 in the cinema yesterday as part of the action classics range.
Brilliant.
Brilliant.
Edited by Barney, Yesterday, 08:25 AM.
#12355
Posted Yesterday, 09:39 AM
The Raid. 90 mins of of total carnage. The story is anorexically thin and cliched and despite the fact I don't understand whatever language they were talking you could tell the acting was gash, however the action choreography is absolutely amazing and it was an extremely enjoyable film. I'd suggest if you don't like violence & bloodshed to give this one a miss...7.5/10
Edited by angrysteve, Yesterday, 09:40 AM.
#12356
Posted Yesterday, 09:41 AM
The iron lady - streep did a canny impression but i thought the film spent way too long on her dementia and not enough looking at thatcherism and what it did to the country.
suck satan's cock mike ashley. put that big scaly pecker down your mouth. drink that black worm jism, DRINK IT!
#12357
Posted Yesterday, 11:16 AM
angrysteve, on 21 May 2012 - 09:39 AM, said:
The Raid. 90 mins of of total carnage. The story is anorexically thin and cliched and despite the fact I don't understand whatever language they were talking you could tell the acting was gash, however the action choreography is absolutely amazing and it was an extremely enjoyable film. I'd suggest if you don't like violence & bloodshed to give this one a miss...7.5/10
Peter Bradshaw at the Guardian gave it 5 stars, and he's a reet snob who won't usually give a film 5 stars unless it looks into his soul and reveals truths about himself he wasn't aware of....
Quote
This violent, intense and brilliant bulletfest from Indonesia puts western action movies to shame
It was in a delicate, almost feathery mood that I sat down to watch this film: apparently set in Indonesia, probably an evanescent arthouse piece, and called, The Rain, was it … ? Perhaps it would soothe my working London commuter's cares like a cup of elusively scented herbal tea. Perhaps there would be unhurried shots of treetops languidly disturbed by evening breezes, of skies on which mysterious cloudshapes would be inscribed, lakes whose surfaces would be disturbed by whorls from the titular rainfall. In the evening, perhaps there would be enigmatic silences between gentle characters accompanied by the plinkety-plunkety-plink of wind-chimes and later a full and plangent moon.
Actually, no. The Raid is a skull-splinteringly violent, uncompromisingly intense and simply brilliant martial arts action movie in a nightmarish and claustrophobic setting. It has something of Tarantino's Reservoir Dogs or John Carpenter's Assault on Precinct 13 and Escape from New York, along with the icy ruthlessness of Andrew Lau and Alan Mak's Infernal Affairs. There's also a reminder of the desperate fight scenes from Park Chan-wook's Oldboy. Occasionally, prior to killing or dismembering someone, a combatant will run up a wall and flip over backwards, surreally like Donald O'Connor. The leading man is Iko Uwais – who is basically the Carlos Acosta of Indonesian martial arts – and it is directed by the Welsh film-maker Gareth Huw Evans, who keeps a 10-tonne weight positioned on the accelerator.
It is sublimely, in fact heroically simple in its desire to deliver gasp-inducingly athletic action setpieces at all times, and the stunts and fight moves are stunning. There are times when the drum-roll of automatic fire is so deafeningly continuous it sounds like the fizz of white noise from a mistuned TV. In Enter the Dragon, Bruce Lee famously says: "We need emotional content, not anger." But frankly there seems to be an awful lot of anger here, and I can't believe that the filming ended without some pretty serious hospitalisation for everyone concerned. There really aren't many films that will have you holding clenched fists to the corners of your mouth over an hour and a half. I was forever bleating the two clipped monosyllables of shock: "Ohhhsh … " and "Ohhhhf … "
Uwais is Rama, a young rookie in a highly armed paramilitary special forces unit in Jakarta. On one grim day, he finds himself with his comrades in the back of an unmarked van, hurtling through the streets at dawn towards the nastiest part of town. In their black, bulletproof vests and black helmets, the team are disconcerted to be getting their briefing here, in the vehicle, rather than back at base: they are to launch a raid on a 15-storey building whose top floor is a drugs factory run by sinister crime lord Tama (Ray Sahetaphy).
Tama has turned the building into a virtual gated community for every serious criminal in town, and he is protected by a scary martial-arts hombre nicknamed Mad Dog (Yayan Ruhian). The briefing is secret because the raid is secret; Rama and the team discover, chillingly, they are on their own, without official backup, forced to fight their way up the building, floor by floor, corridor by corridor, against fanatical and highly armed criminals. There is just one hope: that the enemy is addicted to the thrill of unarmed combat, and will lay down their assault rifles and meet Rama with bare hands, on equal terms.
The building itself appears to exist in a sort of expressionist-realist universe: the exterior looks like a digital creation, and the interiors, with their endless shabby corridors, are like a bad dream. It looks like a haunted hotel in a novel by Stephen King. The cops have rifles; the bad guys have all manner of weapons, including knives and machetes – everything, it seems, short of the "little friend" of Al Pacino's Scarface.
The Raid does not detain the audience with expositions of character; despite the plot reversals there is no pretence at subtlety or depth, and the comparison with Tarantino does not run to tricksy flashbacks or point-of-view shifts. The action runs at hair-raising speed on one single rail from A to B. It is not for everyone and the mayhem is pretty hard to take, but the brilliance of its choreography can hardly be denied, and as film-making it's fluent and muscular and uninhibited to say the least, the element of absurdity held in deadpan check: this is a superb pulp shocker made with passion and flair.
The action genre has been left too long to lumbering beefcakes like Stallone and Lundgren; melding it with martial arts has given it fresh life here, and Iko Uwais is a new star. Those cinephiles who have taught themselves not to turn up their noses at westerns may wish to think on the same lines about action. The Raid is completely deranged – and completely superb.
It was in a delicate, almost feathery mood that I sat down to watch this film: apparently set in Indonesia, probably an evanescent arthouse piece, and called, The Rain, was it … ? Perhaps it would soothe my working London commuter's cares like a cup of elusively scented herbal tea. Perhaps there would be unhurried shots of treetops languidly disturbed by evening breezes, of skies on which mysterious cloudshapes would be inscribed, lakes whose surfaces would be disturbed by whorls from the titular rainfall. In the evening, perhaps there would be enigmatic silences between gentle characters accompanied by the plinkety-plunkety-plink of wind-chimes and later a full and plangent moon.
Actually, no. The Raid is a skull-splinteringly violent, uncompromisingly intense and simply brilliant martial arts action movie in a nightmarish and claustrophobic setting. It has something of Tarantino's Reservoir Dogs or John Carpenter's Assault on Precinct 13 and Escape from New York, along with the icy ruthlessness of Andrew Lau and Alan Mak's Infernal Affairs. There's also a reminder of the desperate fight scenes from Park Chan-wook's Oldboy. Occasionally, prior to killing or dismembering someone, a combatant will run up a wall and flip over backwards, surreally like Donald O'Connor. The leading man is Iko Uwais – who is basically the Carlos Acosta of Indonesian martial arts – and it is directed by the Welsh film-maker Gareth Huw Evans, who keeps a 10-tonne weight positioned on the accelerator.
It is sublimely, in fact heroically simple in its desire to deliver gasp-inducingly athletic action setpieces at all times, and the stunts and fight moves are stunning. There are times when the drum-roll of automatic fire is so deafeningly continuous it sounds like the fizz of white noise from a mistuned TV. In Enter the Dragon, Bruce Lee famously says: "We need emotional content, not anger." But frankly there seems to be an awful lot of anger here, and I can't believe that the filming ended without some pretty serious hospitalisation for everyone concerned. There really aren't many films that will have you holding clenched fists to the corners of your mouth over an hour and a half. I was forever bleating the two clipped monosyllables of shock: "Ohhhsh … " and "Ohhhhf … "
Uwais is Rama, a young rookie in a highly armed paramilitary special forces unit in Jakarta. On one grim day, he finds himself with his comrades in the back of an unmarked van, hurtling through the streets at dawn towards the nastiest part of town. In their black, bulletproof vests and black helmets, the team are disconcerted to be getting their briefing here, in the vehicle, rather than back at base: they are to launch a raid on a 15-storey building whose top floor is a drugs factory run by sinister crime lord Tama (Ray Sahetaphy).
Tama has turned the building into a virtual gated community for every serious criminal in town, and he is protected by a scary martial-arts hombre nicknamed Mad Dog (Yayan Ruhian). The briefing is secret because the raid is secret; Rama and the team discover, chillingly, they are on their own, without official backup, forced to fight their way up the building, floor by floor, corridor by corridor, against fanatical and highly armed criminals. There is just one hope: that the enemy is addicted to the thrill of unarmed combat, and will lay down their assault rifles and meet Rama with bare hands, on equal terms.
The building itself appears to exist in a sort of expressionist-realist universe: the exterior looks like a digital creation, and the interiors, with their endless shabby corridors, are like a bad dream. It looks like a haunted hotel in a novel by Stephen King. The cops have rifles; the bad guys have all manner of weapons, including knives and machetes – everything, it seems, short of the "little friend" of Al Pacino's Scarface.
The Raid does not detain the audience with expositions of character; despite the plot reversals there is no pretence at subtlety or depth, and the comparison with Tarantino does not run to tricksy flashbacks or point-of-view shifts. The action runs at hair-raising speed on one single rail from A to B. It is not for everyone and the mayhem is pretty hard to take, but the brilliance of its choreography can hardly be denied, and as film-making it's fluent and muscular and uninhibited to say the least, the element of absurdity held in deadpan check: this is a superb pulp shocker made with passion and flair.
The action genre has been left too long to lumbering beefcakes like Stallone and Lundgren; melding it with martial arts has given it fresh life here, and Iko Uwais is a new star. Those cinephiles who have taught themselves not to turn up their noses at westerns may wish to think on the same lines about action. The Raid is completely deranged – and completely superb.
happyface@toontastic.net
#12358
Posted Yesterday, 11:35 AM
Watched the first 30 mins of the hunger games last night. Utter poo.
#12359
Posted Yesterday, 11:36 AM
that's a fair summing up. He's right about not believing someone didn't get hurt, I reckon the health and safety regulations in Indonesia are possibly a bit more relaxed because they properly do look like they're kicking the shit out of each other. It starts off really raw and then it becomes almost comedic in the ways they kill each other - while still being fairly realistic and brutal. Check it out if you like that sort of thing, you won't be disappointed!
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